Fire Ants

















I was a year old, give
or take. Plump-cheeked and
egg white pale with a wisp
of red hair on top.
I was too young to remember,
but my mom won’t let me forget.
It was greenhouse hot in the backyard that day. The southern summer sun scorched the air. Pinprick sweat stung and skin singed,
turning red and tan like animal hides around bones. But my dad always liked that.
He was on the cordless on the back porch with me, his baby girl, crawling at his feet.
It was a business call. A big deal was on the horizon. He paced, shirtless, fingers ringed in gold,
thrilled and sweating and grinning into the phone.
He leaned down and set me in the grass
so I could see it, touch it before I had words for it.
He turned away and kept talking.
I lifted my heavy little bowling ball head,
and there it was—the hill.
I can half see it in my mind.
Somehow it’s still there, that
hard-won pyramid of ingenuity, built
by tiny red heads like me.
The crawling colony moved in unison
on the mound, jaws full of sand grains
to strengthen the home, to please the queen. A red and grey hill, rippling
like a shimmering stream in the bright sun. It was beautiful.
I couldn’t help it.
I crawled, like they,
crawled and touched the beautiful hill,
the home of my red head brethren in the yard.
They touched me, hundreds of them, crawled up my pale plump arms, into my tiny pits,
into my diaper, between toes, in nostrils, eyes and ears, inside the newly formed crevices of my body. No part of me
was left bare.
I must have been beautiful for a moment,
pale and covered by the swarm.
They were biting every part of me at once, jaws locked on baby skin, rising like pocks in the wake of their carnage.
My pale body seized in shock,
becoming a new home for them for a moment. My screams were muffled as
ants wound down my throat, curled through vocal cords and down into me.
They wanted to be a part of me.
Afterwards, I’m told I was hauled inside.
My panicked father.
My screaming mother.
An ice cold bath washed the ants away.
They floated next to my bloating body,
all of us, belly up in the tub.
My mother, hairsprayed and rail-thin
shrieking, keening, grieving her
barely-there little girl.
That day changed my mother.
A kind of fury caught flame in her
in the wake of the ant swarm, dire
with fire within her, as if her baby
girl left her womb only for rage to fill it.
Sometimes, in half sleep, I can still
feel the fire ants tracing across
my pale limbs, meandering between my peach fuzz hairs and freckles.
They were only protecting their home
after all. In the wake of such an imposing presence, they had no choice but to
fight back, to protect what was theirs.
My mother stares into space sometimes, sipping white wine on hot summer nights. Sometimes she’ll talk about my dad
and those days with a soft, quiet rage. A low tone thrums deep in her voice when she
speaks of him, as if the earth beneath her is teeming with life, crawling up into her, filling her with fire.
Emily Bennett is an Academy-recognized screenwriter, FANGORIA Chainsaw Award-winning director and a rising actress in genre cinema. Her films — including ALONE WITH YOU, BED, ACCIDENTAL STARS and LVRS — have premiered at Sitges, Fantastic Fest, BIFAN, and Fantasia. She won the 2023 FANGORIA Chainsaw Award for ALONE WITH YOU, which was produced by Andrew Corkin (Martha Marcy May Marlene) and Theo James (The Monkey), and co-created with her husband and DoP Justin Brooks. Bennett’s second feature collaboration with Brooks, BLOOD SHINE, starring Larry Fessenden, Toby Poser and Bennett, is set to premiere in 2025. As an actress, she will also appear in the upcoming feature films THE MORTUARY ASSISTANT (directed by Jeremiah Kipp) and SHELBY OAKS (the directorial debut of Chris Stuckmann, produced by genre legend Mike Flanagan).
Instagram: @emilyrbennett
Website: www.emilyreneebennett.com