Ballad Aglitter with Brief Fishes

Illustration for "Ballad Aglitter with Brief Fishes" by Andie Sheridan. A fork and knife pierce a pale yellow substance, decorated with colorful stars and blue winged bugs.
When will my transition be done? 
I could write folios upon folios of what-ifs—I 
have. I penned a wicked ballad 
regretting everything I have been—except, possibly, being yours. That remains 
more innocent to me—me, imprecise 
with my metaphors, imprecise 
and writing you as a witness to my change. Let that image be done now. Let the remains 
of this poem tangle into a dying reef—aglitter with brief fishes. I beg you—don’t let me write another word of you. Your 
lovely nose. My paltry ballad. 
One evening: I, swollen with bitter ballads 
reading Stone Butch Blues aloud in your 
kitchen. Mincing garlic, imprecise 
with knives always blunt, you listened. I wish that I could be done with my changing body. You understand. But there I 
remain— 
writing obit and obit. I remain 
dreading public restrooms, maintain a litany 
of asking you—is it a single stall, is it a single stall, is it? I am often imprecise 
with my words but you know what I mean—danger isn’t done with me yet. My fear’s ribbon becoming your 
ribbon. Your 
eyes vigilant while sometimes the best I can do for you is remain rhyming with your name. One 
day, I hope you read a newspaper in which I am safe. Instead—ballads of my lush want on every page. Imprecise 
detailing of your toenails and future Appalachian seasons. I
think you would like that. I 
have never been very skilled at narrative. You
know—I prefer imprecise
anaphora, tinned fish on well-oiled toast, the quilted remains 
of our elders who died young. The truest ballads 
sung at night under gunshots we pretend are fireworks. And you and I in bed, undone. 
I remain 
yours—a ballad 
imprecise but nearly done.

When will my transition be done? 

I could write folios upon folios of what-ifs—I 

have. I penned a wicked ballad 

regretting everything I have been—except, possibly, being yours. That remains 

more innocent to me—me, imprecise 

with my metaphors, imprecise 

and writing you as a witness to my change. Let that image be done now. Let the remains 

of this poem tangle into a dying reef—aglitter with brief fishes. I beg you—don’t let me write another word of you. Your 

lovely nose. My paltry ballad. 

One evening: I, swollen with bitter ballads 

reading Stone Butch Blues aloud in your 

kitchen. Mincing garlic, imprecise 

with knives always blunt, you listened. I wish that I could be done with my changing body. You understand. But there I 

remain— 

writing obit and obit. I remain 

dreading public restrooms, maintain a litany 

of asking you—is it a single stall, is it a single stall, is it? I am often imprecise 

with my words but you know what I mean—danger isn’t done with me yet. My fear’s ribbon becoming your 

ribbon. Your 

eyes vigilant while sometimes the best I can do for you is remain rhyming with your name. One 

day, I hope you read a newspaper in which I am safe. Instead—ballads of my lush want on every page. Imprecise 

detailing of your toenails and future Appalachian seasons. I 

think you would like that. I 

have never been very skilled at narrative. You 

know—I prefer imprecise

anaphora, tinned fish on well-oiled toast, the quilted remains 

of our elders who died young. The truest ballads 

sung at night under gunshots we pretend are fireworks. And you and I in bed, undone. 

I remain 

yours—a ballad 

imprecise but nearly done.

Andie Sheridan (he/they) is a trans Chinese/American poet with an MFA from the University of Massachusetts, Boston. He is the author of the microchapbook My Mustache Which Is Very Young (Fifth Wheel Press, 2026). Andie’s work has also been featured in Dilettante Army, The Journal, and with Mass Poetry, among others.