After Gregory Kyle Thomas
After Gregory Kyle Thomas*
i. you better stay away from copperhead road
If a young lass hadn’t brought her own cowboy to Dirty Dawgs
on a Friday night
her pickings:
older men wanting the feel of a young body in their hands
nothing
mostly a wooden dance floor
boot scuffs and spilt whiskey
from four and a half minutes
jumping and yelling
COPPERHEAD ROAD—
barely a line dance
couple pool tables on the side
was where I went alone
young one
in tennis shoes
and loose
sandy hair told me
his name was Kyle
courted round the dance floor
drunk feet stumbled
over each other, pulling his body along like a slinky
always leaning
hands held confidently
knew where he wanted to take me
we crashed into someone else
swirled and two-stepped back to the room down the street
continued his grip when I squirmed underneath
breath sweated my skin when we were both too tired
to keep dancing I slept in arms wrapped tighter
as night went on preventing my usual tornado
turning and tossing kisses woke me
released me promises of a call
he wrote under his number
Gregory Kyle Thomas
I lost my sockii. i wanna go home
My closet
where I hide
if playing
a game
retreating
pitch black
among spiders
forgotten tubs
graduation cards
black hole I stare
every night
drunken sleep
suffocates me
awake despite
the deepness
of my monster-
making tunnel
clothes swirl
round my bed
clean mixing sully
my bed has been
my home
moving
rooms
states
iii. drink up sweet decadence i can’t say no to you
Kyle called nt butterflied into my stomach I answered come here look to friends
try to explain his voice covers his ears I can do nothing but hang up
call after call after call after call after call after call after call after call after call after call after
better
come to me
when drunk
didn’t know sober
a touch too rough ask to leave I can’t walk around naked not my problem
will not leave my problem melts his touch on my skin no
he does not know no my problemiv. spiders in my mind you may take my eyes
His unflexed belly pressed my starving stomach
for a moment
filling it
white skin made him feel powerful though mine is easily ghostly
when he choked me
let him:
be the suppressor he was taught to be
gnaw on my bones
turned bark—a survival response
nymphs used to escape
men’s violent hungry hands
Mother Gaia chided never trust a man with three first names holding still
my feet
underneath
his weight stiffening skin
chilling fingers
held on my neck
unresponsive
to prods and pokes
I can be anywhere, I choose to be where I was,
in the room
in my home
in the closet
where it happened
waiting
century to pass
haunt new college fools who live too close to the bars steal their socks
*Section titles from “Copperhead Road” by Steve Earl, “I Wanna Go Home” by Sherm Cohen
and Vincent Waller,
“Good Enough” by Evanescence, and “Spiderhead” by Cage the Elephant
respectively.
Kendra Boyd earned her Bachelor of Fine Arts degree with an emphasis in Poetry and Fiction in the Writers Workshop program at the University of Nebraska Omaha. She served on 13th Floor Magazine in Spring 2024 as Editor-in-Chief, overseeing four genre teams and on The Linden Review in Spring 2023 as Senior Editor, leading a group of Assistant Editors. She completed her Senior Thesis, Nymphalidea, directed by Dr. Lisa Fay Coutley, in Spring 2024. Her poetry can be found in Waymark Literary Magazine, New Note Poetry, and 13th Floor Magazine. She has poetry forthcoming in Clockhouse and Meetinghouse Magazine.